An activist group has claimed to have harvested millions of tracks from Spotify and is preparing to release them online.
Industry experts noted the seeming data breach could boost artificial intelligence firms searching for data to train their models.
A group known as Anna’s Archive said it had scraped 86 million music files from the platform and 256 million entries of associated data such as artist and record names. Spotify, which carries more than 100 million tracks, confirmed that the breach did not constitute its entire inventory.
“We have located and disabled the malicious user accounts that were involved in illegal scraping,” stated a Spotify spokesperson.
The Stockholm-based service, which has more than 700 million users worldwide, further explained that an inquiry into unauthorised access identified a external actor scraped public metadata and employed illicit methods to circumvent DRM protections.
Spotify does not think the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, said in a blog it wanted to create a ‘preservation archive’ for music.
They asserted the audio files accounted for 99.6% of all music listened to by Spotify users and would be shared via ‘peer-to-peer networks’, a method of exchanging large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which frames its purpose as “preserving humanity’s information and culture”.
A composer and campaigner for protecting artists’ rights, remarked the breached music would probably be used for training AI models.
“Educating models on illegally sourced data is sadly widespread in the AI industry, so this accessed music is almost certain to end up instructing AI models,” he stated.
The Anna’s Archive site alludes to LibGen, a huge online repository of pirated books that has reportedly been used by Meta to develop its AI models.
The co-founder of an artificial intelligence company wrote on LinkedIn that members of the public could in principle “build their own private free version of the service”. The executive added it could also enable technology firms to “train on contemporary music at a large volume”.
Intellectual property law has emerged as a battleground between artists, writers and creatives on one side and AI companies on the other.
Across Britain, creative professionals have raised concerns against a ministerial suggestion to allow AI companies use protected work without consent unless the owner signals. Almost every respondent to a government consultation on the proposal has backed artists’ concerns.
The secretary of state for technology, innovation and development told parliament this month there was “little consensus” on the issue, adding that ministers would “use the time to get this correct”. The government has committed to make regulatory plans on AI and copyright by March 2025.
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